theheroheart:

sushigal007:

a-creepy-wholockian:

phoenix-aflame:

benjaminminu:

How the fuck did he get hired there giving his name as “The Doctor”?

Im pretty sure he either used psychic paper or said “fuck it” and just made his own name tag and pretended he was hired.

I have one of those Doctor Who books that gives extra info on stuff and someone made up the application he sent to get hired and you really have to find it and see it because it’s pure gold. He put his age as like 1,200 and crossed it out and put 50 or something then wrote “Is that too high?” and crossed that out too and just wrote 29

I know I already reblogged it, but I had a feeling I’d seen that application IRL, so I dug out my books and went looking.

:)

image

i cant

(Source: timelordgifs)

carasala:

my friend John just wrote the best post about catcalling possibly ever. 

carasala:

my friend John just wrote the best post about catcalling possibly ever. 

theblacksophisticate:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

The more you know.

theblacksophisticate:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

The more you know.

(Source: melanskyyworld)


shadowbearofthecolossus:

doobiewrap:

lava-laamp:

lostnotgone:

sizvideos:

Video

this is the new daredevil guys look he has his powers!!!!!!!!!

http://gowns.tumblr.com/post/96547796113/gutgrown-in-villages-and-collectivist

gutgrown:

in villages and collectivist societies, everyone at every age has a role. teenagers learn to care for elders; elders watch the children while the adults work; children play and learn to do tasks appropriate to their age. everyone deals with birth, with sickness, with age, and with…


The dapper cast of Sherlock → Moriarty, by Andrew Scott.

(Source: kingleepace)


(Source: eatsleeptv)


(Source: oscarwetnwilde)


mymodernmet:

The stunning Nasir al-mulk Mosque hides a gorgeous secret between the walls of its fairly traditional exterior: stepping inside is like walking into a kaleidoscope of colors. Every day, the rays of the early morning sun shine through colorful stained-glass windows, transforming the halls into a dazzling wonderland of rich hues, patterns, and light that play on the floor of the mosque.

high-school-fling:

alloutorg:

Tumblr, we need you! A rogue Arizona State representative, John Kavanagh, wants to pass a bill that would thow trans people in jail for using public restrooms. Anyone could be asked for I.D. to “prove” their gender, and if there’s a discrepancy they could face a fine or jailtime.
When asked why the bill targeted trans people, Kavanagh explained that it’s because he thinks “they’re weird.” Outrageous.
We can stop this bill by taking action at www.allout.org/arizona and spreading the word far and wide. Will you help?

You guys please reblog this and spread this like wildfire. This is where I live and I would hate to see the trans people of my state not be abLE TO FUCKING PISS BECAUSE OF THE GENDER THEY IDENTIFY WITH

high-school-fling:

alloutorg:

Tumblr, we need you! A rogue Arizona State representative, John Kavanagh, wants to pass a bill that would thow trans people in jail for using public restrooms. Anyone could be asked for I.D. to “prove” their gender, and if there’s a discrepancy they could face a fine or jailtime.

When asked why the bill targeted trans people, Kavanagh explained that it’s because he thinks “they’re weird.” Outrageous.

We can stop this bill by taking action at www.allout.org/arizona and spreading the word far and wide. Will you help?

You guys please reblog this and spread this like wildfire. This is where I live and I would hate to see the trans people of my state not be abLE TO FUCKING PISS BECAUSE OF THE GENDER THEY IDENTIFY WITH


jackviolet:

One of the things that is really notable about Moscow and yet not many people outside Russia know about, is how gorgeous the Moscow metro is.

These photos? That’s what the metro stations look like.

Yeah.

They’re called the “People’s palaces of Moscow” or else “Underground palaces,” and they were built during the Soviet era on the Communist idea that art and beauty should belong to the people rather than only being available in the houses of nobles.

These photos show just some of the metro’s attractions. There are many more mosaics, statues, etc, placed throughout.

And the metro is always this clean.

In addition to being beautiful, it is incredibly functional. It gets you pretty much everywhere in Moscow, and the trains run at intervals of every three minutes or less. At peak times, they run every 90 seconds. You never have to worry about missing a train, because the next one will come almost immediately.

Not always of course. In the late evening or early morning hours, you may have to wait as long as five whole minutes for a train. They’re also super easy to navigate.

We Russians are pretty proud of our metro system.


cassolotl:

zessinna-photography:

So I decided to take photos of all the lace saris. I also wanted to pair some of them up with my corsets, on top of them. 

OH MY WORD. *falls over*


yonderbeasties:

All my Jungle Book pieces so far. 

Prints

slayboybunny:

ya hes cute…….but is he conscientious of the social inequalities and corruption in hierarchies of power that plague this world